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Het nieuwe Warandeseizoen start in de Expozaal met een solotentoonstelling van Carole Vanderlinden. Deze Brusselse kunstenares toont in de Warande haar eigenzinnige oeuvre. Haar schilderijen houden schijnbare tegenstrijdigheden in zich. Ze zijn fris en tegelijk ogen ze oud. Ze zijn figuratief en tegelijk abstract. Het gebruikte kleurenpalet is een aanlokkelijke combinatie van verzadigde en onverzadigde kleuren. Naast een selectie van olieverfschilderijen, toont Vanderlinden een ruime selectie aan tekeningen. Exhibition: Cultuurhuis De Warande, Turnhout, Belgium (14.09.-17.11.2019).

Vanderlinden, Carole --- Vanderlinden, Caroline --- 75.07 --- Schilderkunst ; schilders A-Z --- Vanderlinden, Carole,

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This in-depth exploration of celebrated French artist François Morellet (1926-2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet's interest in kinetic and optical effects spurred work that engages viewers' perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet's practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work. Also included is an extensive selection of previously untranslated writings by the artist himself. With striking new photography of the artworks-such as Morellet's geometric paintings, neon works, and architectural interventions-this is the definitive book on a fascinating, multifaceted artist.

75.07 --- Morellet, François 1926-2016 (°Cholet, Frankrijk) --- Geometrische abstractie --- Abstracte schilderkunst --- Schilderkunst ; schilders A-Z --- Morellet, François. --- Morellet, François --- Criticism and interpretation. --- Exhibitions --- Painting, French

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Publicatie ter gelegenheid van de tentoonstelling te Leuven (M-Museum) van 25 oktober 2019 tot 15 maart 2020

75.07 --- Schilderkunst ; 1ste helft 21ste eeuw ; Nel Aerts --- Aerts, Nel °1987 (°Antwerpen, België) --- Belgische kunstenaars ; 21ste eeuw --- Vrouwelijke kunstenaars --- Schilderkunst ; schilders --- Exhibitions --- kunst --- 75.071 AERTS --- Aerts Nel --- eenentwintigste eeuw --- schilderkunst --- Aerts, Nel --- Painting, Belgian --- Exhibitions. --- Aerts, Nel,

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Tim Van Laere Gallery is pleased to present Pink Period, the third solo exhibition by Anton Henning. Few colors trigger as many contradictory associations and emotions or have as many symbolic meanings in both high as low culture as pink. The same tension and duality can also be found in the works by Anton Henning. If we consider Art History as an ongoing conversation, Anton Henning (°1964 Berlin, lives and works in Berlin and Manker) proves himself to be a master conversationalist who speaks various different languages. His oeuvre comprises paintings, sculptures, drawings, films, photographs, musical pieces and entire environments. His oeuvre could be read as a contemporary interpretation of the Gesamtkunstwerk. Focussing equally on the search as well as the outcome, he creates a hybrid pictorial event, an anarchy of images liberated from the gravity of the isms in art history. With his motif repertory, material choices, stylistic devices and playful reinventions of the genre types, Henning doesn?t simply quote from art history, but he playfully looks for painterly potential through his own pictorial memory which has remained delitescent, discarding all spatial, temporal, and ideational contexts. He moves between modern enthusiasm and postmodern irony, between hope and melancholy, between naiveté and knowledge, empathy and apathy, unity and diversity, totality and fragmentation, purity and ambiguity.

Henning, Anton --- Painting, German. --- Henning, Anton, --- Landschapsschilderkunst ; 21ste eeuw --- Thema's in de kunst ; het naakt --- Humor in de kunst --- Beeldende kunst ; Duitsland ; 21ste eeuw --- Henning, Anton °1964 (°Berlijn, Duitsland) --- 75.07 --- Schilderkunst ; schilders A-Z

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Luc Tuymans: La Pelle' documents the most ambitious monographic exhibition of the work of Luc Tuymans (born 1958). The Pinault Collection at Palazzo Grassi has in the past mounted exhibitions of the work of Sigmar Polke, Damien Hirst and Urs Fischer in its elegant interiors along the Grand Canal in Venice. It was thus the appropriate venue for this survey of Luc Tuymans' work. Quiet, restrained and at times unsettling, his works engage with questions of history and its representation and with everyday subject matter in an unfamiliar and eerie light. Painted from preexisting imagery, they often appear slightly out-of-focus and sparsely colored, like third-degree abstractions from reality. Whereas earlier works were based on magazine pictures, drawings, television footage and Polaroids, recent source images include material accessed online and the artist's own iPhone photos, printed out and sometimes rephotographed several times.00Exhibition: Palazzo Grassi, Venice, Italy (24.03.2019-06.01.2020).

kunst --- 75.071 TUYMANS --- Pinault François --- verzamelingen --- collecties --- Tuymans Luc --- schilderkunst --- twintigste eeuw --- eenentwintigste eeuw --- België --- Exhibitions --- Physiology: movement organs, voice and skin --- Painting --- easel paintings [paintings by form] --- skin [collagenous material] --- Tuymans, Luc --- 75.07 --- Schilderkunst ; 2de helft 20ste - 1ste helft 21ste eeuw ; L. Tuymans --- Tuymans, Luc °1958 (°Mortsel, België) --- Belgische kunstenaars --- Schilderkunst ; schilders